Sony – Alpha ZVE10 II: APS-C Content Creators’ Camera Kit – Black

(36 customer reviews)

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36 reviews for Sony – Alpha ZVE10 II: APS-C Content Creators’ Camera Kit – Black

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  1. DonW

    Great little camera with outstanding color. I use it mostly for video shoots and the results have been great. I have a first generation model as well as this 2nd gen and an A7iv all used for videos and the only difference in video quality is the iv does a little better in low light but that’s expected for a camera that costs 4x as much. A lot of bang for the buck.

  2. ZachC

    This camera has sparked my desire to learn more about photography. This is a crazy, feature packed updated version that gives you the flexibility of changing out lenses. I have always traveled with at least one dedicated camera to compliment my latest version iPhone. The way this camera can go from being in a case to helping you capture memories or content so quickly is one of its best features.
    The camera comes kitted with a better than expected 16-50 zoom lens. A carry strap, NP-FZ100 battery and documentation rounds out what this camera ships with. I did get the Sony content creators accessory kit which includes the bluetooth shooting grip and shotgun mic for more flexibility when using the camera.
    I have similar camera to compare to for perspective. Sony launched a few years back the ZV-1 camera and for what I needed this camera was perfect. An all around feature packed camera for our outdoor adventures. I didn’t expect the need to swap lenses but as anyone who takes up the hobby of photography, there is always something new!
    A few welcomed upgrades are the larger touch screen that provides the user with an easy and fast experience when needing to change settings. Also, something I found I prefer more than I thought was the power toggle button vs, just opening the LCD screen. You can have the camera ready to shoot photos quicker than going through the opening procedure like on the ZV-1.
    One thing I have become accustomed to with these specific models is the C1 or background defocus button in close proximity to the shutter button. I find that using this built in feature is quicker and usually accomplishes the desired photo effect vs. having to manually adjust camera and lens settings.
    I am really looking forward to replacing my older Canon DSLR with this camera during outdoor adventures. The size alone and weight savings allows me to bring more options (lens) than with my traditional DSLR. This model does have active image stabilization and paired with a lens with that functionality, you get a rock solid video when moving while filming.
    I can also highlight the quality and customization build into this camera with the microphone, expect incredible out of the box audio better than most alternatives. Plus, the hot shoe does allow options for higher quality audio devices.
    One interesting feature I didn’t think I would use but found to help me capture quality, in focus images is the smart technology baked into this camera, the Real-time Eye AF allows you to choose between several main preferences like bird, animal, and human. Exploring these does challenge how the camera finds and maintains images in perfect focus.
    I was battle testing the camera in sport mode at a kids sporting event and this mode allows you to hold down the shutter and the camera will continue capturing images. It will continue taking photos for some really neat action shots.
    I don’t need some of the additional features to support live streaming and wifi transfers but thankful this camera is capable.
    I am already starting to look at reviews for the next lens upgrade and have my target set on something with more zoom.
    It feels good in your hand and is well balanced with the kit lens. Can’t wait to continuing to perfect my photography skills with this awesome camera.

  3. Ponskippa

    I’ve been using the Sony ZVE10 II exclusively to capture photos and videos of life, my nephews sports games, and when out and about around town for about a week now.
    I’ll start by saying that I am a bit of a camera nerd. I’ve been taking photos and videos for over 20 years now. I’ve owned DSLR’s, compact point and shoots, mirrorless cameras, and *gasp* sometimes I only use my phone to capture memories and record videos for my social channels.
    So my impressions of this camera are a little mixed. I do think it is a very fun, compact, powerful camera though. I’ll start with the pros. This camera is TINY! I love just how small it is honestly. It fits in the palm of my hand.. it fits in the cargo pocket of my shorts even with the kit lens attached.
    The audio quality without any additional microphones attached is very impressive. It almost sounds like you are there when watching the videos you took on a large screen with good speakers. The microphones record voices and ambient sounds cleanly and it has good Spatial Audio.
    Battery life is very good for its size, I usually end up with about 30-40% battery life after carrying it around all day for videos. The grip on this camera is excellent, especially for large hands. The grip is comfortable and I feel secure carrying it around without a strap sometimes.
    Video quality is very good for a camera of this size. You can record at very high bitrates in 4k upto 60FPS. You will however need an expensive SD card capable of recording over V90. The camera will warn you and remind you before trying to use the best bitrate for recording video.
    I really like the look of the Sony Cinetone color profiles baked into the camera. I don’t really like to spend too much time editing videos, so I appreciated being able to use in camera color profiles to record my videos. the standard cinetone looks nice to me, and it’s usually the one I use majority of the time.
    I have a like / dislike relationship with the included Kit lens. On one hand.. it is quite possibly the smallest zoom lens I’ve ever owned and used. I love the power zoom function. You can zoom in and out quickly and smoothly with this lens. it retracts into a very compact size when turned off, and it has optical stabilization. However.. the photo and video quality it produces isn’t the greatest. It’s totally serviceable and will please most people. But the images it produces are somewhat soft, and “flat”.
    The lens almost has no character, I’ve also experienced some micro jitters when recording video.. especially in low light. So keep in mind, that if you buy this kit.. you will eventually have to spend some money to get either a zoom lens with a faster aperture or a prime lens to get the best image quality out of this camera.
    Another thing you’ll have to keep in mind is that this camera does not have a mechanical shutter. So sometimes you will experience banding in photos captured under some artificial lighting.
    But on a positive note, I have not noticed or experienced any “jelly roll” I think they call it lol when recording video. All in All, I think I will be using this camera often.. and will definitely be investing in a prime lens soon. Would I recommend this camera? Yes BUT only if you can afford to invest in additional gear. You will need more lenses, a fast (expensive) sd card. I like to have a video camera for recording video because it takes away the distractions of a smart phone, and I can focus on the moment and capture life happening around me. Honestly, carrying this camera around with me has kind of reminded me of the good ole days of “Sony Handicams”. Those were so compact as well, and they had amazing video quality, stabilization and were so easy and convenient to use.
    This camera to me, is like a modern camcorder.. and a great starter camera for someone wanting to start a video channel or capture life’s moments. I love this camera, and I think you will also!

  4. Cupra

    I will be honest, I get intimidated by ‘full function’ cameras, there’s a lot going on and a lot to learn – normally. With the Sony Alpha ZVE10II camera, Sony have created an ‘entry level’ camera that can help transition you from simply using an iPhone, to using a ‘real’ camera for video content creation.
    Out of the box, the kit comes with ‘almost’ everything you need to get going. The camera body has a weight to it, a chunky grip, and a nice solid build quality. The lens is included, and the battery as well. However, there is NOT a charging cable or a charging dock for the battery included, so you need to find your own USB C to USB C cable to get the camera charged. Not a huge deal breaker as you probably have a vast array of those laying around, but a small annoyance when unboxing and wanting to get into using the camera right away.
    The kit also does NOT come with a memory card, so you will have to have one of those on hand, or go out and get one. Fortunately, I had a couple of spares with my drones, so I was able to get up and running right away.
    Once you have the camera charged, you are greeted with a nice touchscreen control, that swivels into almost any position you could want it. So if you are shooting vertical content, you can face it towards you, whether you are speaking into the camera, or recording something in front of you, the screen can always be visible to you, or alternatively, you can fold the screen away. This is the main control panel for the camera too. You can connect your camera to your phone, and use the Sony Creator App to control some functions, and you can even import photos and video from the camera directly to your phone if you so desire (I still currently edit my videos in InShot, and iPhone app). I’m sure this will change when I get more acquainted with the new camera.
    The 4K video shoots at 60fps, which is absolutely fine for the content I’m creating, in fact you don’t even need to go that route if posting to Instagram etc, as 4K video at 60fps can get choppy – Instagram doesn’t like 4K for some reason. But for YouTube content, 4K at 60fps is great, but if you want to capture some nice slow motion shots/footage, you can record 1080p at 120fps.
    As mentioned, I this is my first foray in transitioning from an iPhone to a ‘real’ camera, and as such, Sony makes that a somewhat easy transition, as it has a lot of fully baked functionality in the camera that the camera just does for you – several auto functions taking the complications out of your recording process. But the camera is advanced enough to allow you to make many different settings and parameters to enable you to dial in your footage to your own style as well, be it over saturated, or mooted etc, depending on your preferences. I am sure I have only scratched the surface on what this camera can actually do for me, but as a transition from a phone to a camera, I couldn’t think of a better starting point to jump off from.
    With interchangeable lenses, you have that ‘full function’ capability from the camera, in a nice compact package. Is it a Professional Camera? Some people may say yes, that it’s all you need to be a professional vlogger, but if you are wanting to take those epic sports photos, then this is probably not where you want to start.
    Overall, I couldn’t be happier with this choice, its a fantastic step up and a great way to advance my video capabilities, and when paired with the Sony Creator Kit II (tripod, wireless remote and shotgun mic) to really has taken my content to the next level!

  5. Sonho

    Sony is always five stars, but the shipping guys at bestbuy are only one star.

  6. James

    Sony continues to move forward with their new ZV-E10 II. It’s good for vloggers and content creators. It uses Sony’s E-Mount lens mount which opens up a plethora of lenses you can use with this camera. The camera body is lightweight which helps a lot when vlogging. In addition, it has an articulating touchscreen. This a necessity for vloggers. It’s UI will auto adjust to changes from horizontal orientation to vertical so I can quickly get a video for Instagram and other social media platforms that require vertical videos.
    Physical Design
    The ZV-E1 II is compact and lightweight. The body being small helps to keep the weight down which is very helpful when I’m holding the camera out when recording a vlog. My arm doesn’t tire as fast as it does with my other cameras. It also uses the NP-FZ100 which is a small battery that also helps with weight reduction. The kit lens is also compact and lightweight. There is a switch on top that helps to quickly switch between video mode and photo mode. The shutter button is positioned well and near it is a video record button. I feel both are positioned well and I found them easy to find both by feel. The grip also fits my hand well. I have medium sized hands, so if you have large hands, you may feel the grip is a little small.
    Video
    This is an APS-C sensor camera. Sony is able to step up the video capabilities and video quality with their Exmor R sensor choice. I’m able to record video at 4K60p 4:2:2 10-bit. With the battery being small, I’m able to record video at 4K60p for up to 37 minutes. I did run into a problem when out at the beach recording 4K60p video. It was about 90F while I was there. The camera recorded for 13 minutes when I saw a temperature warning. The camera shutdown to allow the camera to cool. I live in the southeast, so that is going to be a problem for me when the outside temperature is above that which means I will have a problem with record times during the summer. For people who only need to record short duration videos, this may not be an issue for them. If I was recording at 4K30 or 1080 I’m sure I would get longer run times before the camera needs to turn off to cool down. If you live in a hot area, keep that in mind. The video quality is exceptional for a camera of this level. The video quality is due to the APS-C Exmor R sensor coupled with the BIONZ XR processor. I’m really impressed and happy with the video I get out of it. Vloggers and content creators will be happy with it. The built-in mic works surprisingly well. It’s a 3 capsule mic which captures clean audio. The mic can also capture you voice consistently as you move the camera around. When recording video, it kept my voice level the same as I moved the camera from facing me to facing away from me while I was talking. This is helpful to me because I face the camera while talking and will sometimes turn the camera around to show something ahead of me while continuing to record. When I do that, I’m typically talking even as I turn the camera around to face away from me. The mic was about to keep my voice level the same as it was when the camera was facing me. The camera’s UI changes automatically when changing the cameras orientation from horizontal to vertical. The vertical videos I shot were recorded as vertical videos instead of them being recorded as horizontal videos that I have to change to vertical in post. The resulting video files were 2160×3840 files as opposed to 3840×2160. This saved me from having to use my NLE to change it which is what I have to do with my other cameras. This saves a lot of time by removing a step that I have to go though when I use my other cameras. Also the UI auto changes so it’s orientation on the screen is correct which makes it very easy to see the information while recording video.
    Photo
    Sony raised the bar by packing a 26MP APS-C sensor in the ZV-E10 II. The photos I’ve shot with it are very sharp and the colors are vibrant. Sony’s color science is something I like. I’m happy with the high quality and sharp photos I get out of this sensor. I went out to take photos of birds hoping that the bird detection for autofocus would help. It did. Autofocus detected the birds whether they were flying or on a perch. Burst mode is available on the ZV-E10 II which I use when taking photos of birds flying. Autofocus of cameras often fail to hit often on flying birds, but the ZV-E10 II was able to handle it. The camera was fast. Most cameras that are comparable to this one don’t work well in bird photography, but the ZV-E10 II does. If someone is looking for a camera for getting into wildlife photography, then the ZV-E10 II would be a viable option without braking the bank. It’s also good for taking photos of products due to focusing distance. Another helpful feature is the background de-focus. This allowed me to focus on a subject such as a bird or an object and help draw the focus to the subject be blurring the background. By default, this features is activated when pressing the C1 button. I found it quick and easy to turn that feature on and off. It helps me when wanting to be a little more creative without having to use manual mode which would be slower. Now I just press the C1 button to quickly turn that on and the camera will change the aperture instantly. This will be helpful to people who aren’t that familiar with aperture and shutter speed settings which would otherwise have to be manually set to get the same results. If you are showcasing products, this will be help with that by directing focus to just the product and defocusing/blurring the background bringing attention of the viewer to the product.
    Lens
    The ZV-E10 II comes with a power zoom 16-50mm F/3.5-5.6 lens. The lens has a zoom motor in it. I can change the focal length by either using the telephoto adjustment that is in front of the shutter button or by the telephoto adjustment on the lens itself. Both activate the motor enabling me to zoom in and out throughout the 16mm to 50mm range. Zooming isn’t slow and I can quickly make the adjustments that I need to. Unfortunately, the zoom motor makes a sound. The sound can be picked up by the built in 3 capsule microphone. If I’m recording video that I need to be continuous while I’m zooming in/out, I’ll have to remove the sound of the motor in post. The lens is threaded, so you can use filters with it. It’s short, but when powered on, it does extend out about 1.5″, but I don’t feel that is a problem for me. It has a focus ring and a zoom adjustment on it. You can adjust the focal length via the on lens adjustment or through the camera’s which is in front of the shutter button. It would have been good for Sony to have used a lower focal length for the kit lens. 16mm on an a camera that uses an APS-C sensor is a little long of a focal length when vlogging, but it is a clear sharp lens and considering the price point, I can’t complain too much about the minimum focal length. In the next iteration of this camera I would hope that Sony would consider a 10mm or 8mm minimum focal length for the kit lens.
    Final Thoughts
    This is definitely directed at those who are vloggers, content creators, and those who are wanting to get into video or photography at a decent price point. You get a lot with this camera. Sony has improved on the mark 1 with this new iteration of the ZV-E10. It’s a good camera for those who need to take photos and record videos for social media. If you are getting into videography or photography, you’ll appreciate the features that this camera has. It has far more than mentioned above. The only things I would like to see addressed in a future version would be the kit lens motor sound, better heat dissipation, and a lower minimum focal length for the kit lens. I feel that people looking at a camera of this price point will be happy with it as I am. I’m happy to see that Sony has improved on the ZV-E10 line with this new ZV-E10 model.

  7. TechO

    After using the ZV-E10 II for about a week I find it irresistible to use, both for its feel and features. I have a closet full of cameras so I’m a bit jaded about new models the way a carpenter might be with a new hammer. But after carrying around I have to admit I’m impressed what Sony did here with an “entry level” model. There’s nothing really like it at its price level.
    That is not to say it doesn’t have limitations, a couple which will be non-starters for action/sports shooters or people who shoot for long periods at the 4K/60. That’s because it’s rolling shutter can be quite noticeable and it is prone to heat buildup in certain circumstances. Below I’ll discuss my experience and observations about the camera and kit lens that make up this Creators Kit.
    WHO IS IT BEST SUITED FOR?
    Before I get into the details here of what is great – and not so great – about this camera, a few words on who I think is the ZV-E10 II’s target user. Sony tags it as a “Content Creators’ Camera,” basically, another way of saying it’s video centric.
    It’s easy to confuse this camera with “hybrid” cameras that are more or less equal in video and photo abilities. This is not a hybrid, it’s a video camera with photo features. For example, it has no viewfinder and lacks a front dial. So, if taking photos is at least half of your reason for buying a camera this one isn’t for you.
    The ideal user, in my mind, is someone interesting in upping their video “game” from, say, a phone, adding features but not sacrificing ease of use, stealthiness, carry-ability, and packability. And for most video genres, the ZV-E10 II is a winner. The exception is sports and action. Here the ZV-E10 II falls short by my eyes. On replay of videos of fast objects rolling shutter distortion was noticeable. It’s also visible in fast pans. It’s not unwatchable, but I do find it distracting. I don’t fault the ZV-E10 II, this is common in most crop sensor bodies across all camera brands. But it is important to be aware of the degree of a camera’s rolling shutter effect especially if your primary focus is videoing fast moving things.
    What the ZV-E10 II delivers is phone-like compactness with “real” camera features, including its sensor it shares with models costing hundreds more and the option of the large Sony E-Mount lens catalog for unfettered creativity. That versatility really invites everyone else who wants a powerful, affordable “true” video camera; vloggers, travelers, people who like making shorts, etc.
    The ZV-E10 II doesn’t have everything I want in a video camera, but, to paraphrase the Rolling Stones, it gives me what I need. Sony makes more advanced video cameras, but at a price, and my experience is a new camera is just the first purchase. Potentially there are still extra batteries, grips, carrying bags, and possibly lenses to budget, so buying a more expensive body for features I don’t 100% need isn’t path to making better videos
    IN THE BOX…AND NOT
    Officially this is a “kit,” but it’s an incomplete one – like I said, budget for other stuff. Neither a USB-C charging cable nor a charger is included. I can live without the cable, but no charger is an annoyance. Sony’s intention here is slow charge via the camera’s USB-C port or buy a charger at extra cost. My own view is in-camera charging is just a convenience if I forget my charger or need to charge two batteries at one time. It’s not a satisfying default charging method. So, it’s disappointing Sony doesn’t include the charger. It’s a hidden cost to the kit.
    The major accessories in this “kit” are the E PZ 16-50mm F3.5-5.6 OSS II (APS-C) lens and Sony’s pro-level FZ100 battery. I get 1-1.5 hours of video time with it (XAVC-S 4K 60P, but not continually shooting for that entire time). There is also a Sony branded strap – I call these “drawer snakes.”
    It’s clichĂ©, but the lens is nice for a “kit” lens. A bargain too compared to the price of the “body only” option. As a “PZ” (power zoom) lens it performs best for video. My lens test was conducted only with my bare eyeballs. To me it renders sharp, detailed video that appears cleaner than my phone’s 4K video. The downside here is its slow variable aperture. But at its cost, even if you have to buy a faster prime lens it’s a cost effective a backup zoom. Surprisingly it was usable even with just city light illumination or indoors under normal household lighting. Background blur is naturally harder to control particularly as it approaches the 40-50mm field of view range.
    IN-HAND FEEL & CONTROL
    The ZV-E10 II conforms to my hands perfectly, but I have small hands. Despite being compact its hand grip is relatively deep. I think all but the most ginormous hands should be comfortable and confident holding it. But there is no pinky support, if that is a concern. Even mine hangs below the body.
    I also enjoy holding the ZV-E10 II because of its high-end build quality (not build materials). The dials spin confidently, and the buttons are a gentle push to engage. Both the dials and buttons reveal a tactile click with each turn or push, respectively. The body itself is 100% plastic. It feels solid, but no mistaking the plastic, especially the lens.
    Ergonomics is as close to perfect as possible for such a petite body. The controls are intuitively placed in easy reach. Most buttons are in close proximity to each other but there is good tactile separation to prevent accidents. I can’t detail every button for lack of space here, but all the common buttons and dials are on board, many user-assignable if that is your thing.
    A few unique video controls that are mention-worthy. First, is the zoom rocker around the shutter button. It’s a fantastic used with PZ lenses like the kit lens, but it doesn’t control non-PZ lenses. What makes this rocker so enjoyable is both the standby and videoing speed is programmable. For example, I have standby set up to zoom fast to quickly set up a shot but have video speed at medium for a gentle zoom effect.
    There’re two other distinctive function buttons. “Defocus” switches between a lens’s maximum and minimum aperture to quickly defocus the background as much as possible. It’s a handy especially with no front aperture wheel. Equally useful is the “product showcase,” button which alerts the lens to instantly focus on an object placed in front of the camera and then refocus back to you the moment the object is removed. Typically, a camera without this feature will either continue to focus on the creator’s face or focus will get jumpy.
    As a video-centric body with no viewfinder user control is entirely by the LCD flip-screen touch panel. The menu is Sony’s latest version which I found intuitively organized but did experience a learning curve. The LCD panel itself is a “7” out of “10”. At its brightest setting it’s visible at high noon & no clouds, but a higher brightness would be appreciated.

    TOP FEATURES AND USABILITY
    The marquee here is 26 MP APS-C (crop) sensor, the same one inside Sony’s higher end crop sensor model A6700. Of all the features on my checklist, I start at the sensor. It’s a bit of oversimplification, but the sensor’s design, in conjunction with the lens, dictates how far ISO can be pushed in low light, the images sharpness and accurate geometry. So, it’s important to understand sensors are more than megapixel counts. Crop sensors typically don’t perform well in low light and it’s hard to push ISO to ranges that a full frame sensor could go. This hold true with the ZV-E10 II, but I found image quality doesn’t suffer much until about ISO 6400. Of course, YMMV.
    Eye-autofocus is precise is most situations. It can get a bit confused where there is a busy background or foreground. The workaround though is to use subject detection which is
    as “sticky” as I’ve ever experienced on a camera. Accuracy isn’t always pinpoint, but close enough that focus remains. Tracking modes include people, animals and birds.
    Max available video quality and speed is 4:2:2 10-bit in 4K/60 for smooth and clear slow-motion. (If you need super slow motion, this camera can do 1080/120fps). This is where I ran into frustrating overheating after just 10 minutes or so of off and on videoing. However, after I switched the “Auto Power OFF Temp” setting in the “setup” menu from standard to high I’ve yet to experience overheating when videoing at this resolution.
    So, caution, perhaps, if you intend to shoot 10-bit 4K/60 for 20+ minutes continuously. For my shooting style this time until overheating is a non-issue. I did not experience any overheating a 4K/24 even before I switched to the “high” setting.
    For advanced users there are color grading capture options, specifically S-Log 2 and 3. Additionally, LUTs can be loaded to the camera. If you are the “set it and forget it” type you can select video appearance styles in-camera.
    I’d be amiss if I didn’t mention mic quality. Normally on-board mics are after-thoughts and sound terrible. So, I was shocked how usable the mic’s audio quality is, especially for vloggers in front of the camera. It’s slightly “hollow” to my ears, but respectable. It filters out background noise well. I also like that pick-up direction is configurable in the menu. If you plan on buying an external mic, the ZV-E10 II has Sony’s multi-interface shoe for wireless, battery-free operation with select Sony microphones.
    There’s a lot of goodness packed in the ZV-E10 II, but of course, there’s important stuff missing too. The most notable is the absence of in-body image stabilization. It’s not surprising though, as this feature is usually reserved for higher-end cameras. Instead, it has digital stabilization which I found fine when set on “active,” at the expense of a slight crop. But, I don’t find the picture with stabilization off that jerky unless I was moving around fast, so I’m unsure if the digital stabilization is needed except in high motion situations.

  8. RedMage

    I’m not a major camera nerd, so take this all with the understanding I’m no expert, this is all my own opinion, but this is such a good entry level Mirrorless camera. It’s obviously not the best camera Sony sells, but at this price point, with the included lens and fluffy little ‘wind sock’ for the built in mic, this is an amazing place to start if your looking to get serious with your content creation game, or step away from using your phone to take your vacation photos and videos. The included 16mm to 50mm lens is a good starting point for closer and mid range photography, and as the whole kid is focused on content creators first, where the user is going to have the camera setup fairly close to them, streamers, vloggers, and the like.
    In line with the content creator focus of the bundle and this camera, USB-C charging and connection port gives you good fast charging and the camera can be directly connected to your PC to act as a webcam without needing additional capture cards to grab the camera feed for your stream or other workflow. For those who shoot footage and then edit later there are a plethora of automatic modes for different color space and vibe as well as a raw mode for you to do your own color grading with.
    You will want a fast high capacity SD card for this camera to take full advantage of the recording capabilities, I learned this pretty quick finding the SD cards I have on hand right now are just not fast enough to record the best this camera can output.
    Overall, I think this is overkill if you haven’t started yet, streamers, and vloggers can get their start with basic webcams and a good cellphone, but for those who already have been doing it and are taking the next step, I think this is a great point to move to, and is a platform to expand on, with its accessory connection on top for microphones, or camera flashes, a tripod nut on the bottom to mount to well, tripods, or gimbals, or a camera arm. Interchangeable lenses so if the included one no longer suits your needs in the future you can get new ones and expand your capabilities without needing to buy a whole new camera.
    I’ve been primarily using it for streaming, and it’s such a huge step up from my webcam. The more I use it the more inadequate the rest of my setup starts to feel, the extra clarity makes the rips in the back of my chair far too noticeable lol, and while the low light performance is great, my old camera had a light ring built in, so… I might have to invest in a couple key lights to minimize the awful shadows from the overhead lights in my room.

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